Quinn’s illusions are as good as those in any Vegas act—but can he win a spot at a prestigious magic camp despite an upstaging partner, a cute rival and a con-artist mentor?
Fifteen-year-old Quinn Purcell wants only one thing: to win a coveted spot at the Masters of Magic Fantasy Camp. But the competition is stiff, including Dani Darling, an incredibly talented, and incredibly attractive, rival magician who prestidigitates her way into Quinn’s heart—unless that’s just another of her tricks. To make matters worse, Quinn and his best friend, Perry, have always performed their magic as a team, but the judges want solo acts, and a two-man audition might disqualify them. When Quinn meets his idol, the Dazzling Lazlo, at a diner, it seems like a sign. If he can convince Lazlo to spill the secrets to his greatest trick, then the spot at the camp is all but Quinn’s. But is the washed-up magician just using Quinn to run a few scams? When the chips are down, what will Quinn risk—his best friend, his new crush, or his career as a magician? Hilarious and fast-paced, Don Calame’s latest novel is full of complicated magic tricks and equally complicated friendships.
I love the humorous lines in this book, and the main characters: three budding magicians vying against one another to win an audition. (You learn tons about magic tricks.)
The protagonist is Quinn, who has always performed magic shows alongside his best friend Perry. Now it appears the upcoming audition is going to require them to perform separately. Is that good or bad, because not so secretly, Quinn is insanely jealous of his friend, given that Perry is handsome, kind, debonair, etc. And has his pick of girls.
Bugz is caught between two worlds. In the real world, she's a shy and self-conscious Indigenous teen who faces the stresses of teenage angst and life on the Rez. But in the virtual world, her alter ego is not just confident but dominant in a massively multiplayer video game universe.
Feng is a teen boy who has been sent from China to live with his aunt, a doctor on the Rez, after his online activity suggests he may be developing extremist sympathies. Meeting each other in real life, as well as in the virtual world, Bugz and Feng immediately relate to each other as outsiders and as avid gamers. And as their connection is strengthened through their virtual adventures, they find that they have much in common in the real world, too: Both must decide what to do in the face of temptations and pitfalls, and both must grapple with the impacts of family challenges and community trauma.
Can Aiden learn to stand his ground on his new home ice?
Meet Aiden Mallory. He’s trying to find his bearings while coping with the loss of his father — an NHL player who died in a car accident — and moving back to his dad’s hometown of Prairie Field, where he is STILL a big deal.
Aiden loves hockey, but his feelings about moving and his dad’s death cause him to struggle at tryouts. Then the minor hockey association announces a brand-new U13 tournament: the Luke Mallory Memorial. As Aiden tries to find his place on his new team, and among his new teammates, he will do anything he can to live up to his dad’s legacy. But what happens when Aiden’s determination to play well puts everything else at risk?
From Lorna Schultz Nicholson comes a powerful portrayal of a boy’s experiences with anxiety as it relates to sports and friendship and grief.
There are novels that include some ice hockey action, and then there are true ice-hockey novels with nonstop, satisfying hockey action, characters and storyline. Author Lorna Schultz Nicholson, a former hockey player and coach herself, serves up the latter.
Sixth-grader Aiden is not just reeling from having lost his hockey-legend father. He is struggling to adapt to a new town and team, put up with a bullying teammate and live up to his father’s reputation. This novel isn’t about how he plays so much as how he rises above these challenges by finding his inner coach and learning to generate positive energy.
From the award-winning author of The Serpent King comes a beautiful examination of grief, found family, and young love. Life in a small Appalachian town is not easy. Cash lost his mother to an opioid addiction and his Papaw is dying slowly from emphysema. Dodging drug dealers and watching out for his best friend, Delaney, is second nature. He's been spending his summer mowing lawns while she works at Dairy Queen.
But when Delaney manages to secure both of them full rides to an elite prep school in Connecticut, Cash will have to grapple with his need to protect and love Delaney, and his love for the grandparents who saved him and the town he would have to leave behind.
Let’s begin with what this novel is not:high action, mystery, romance. It’s neither humorous nor violent. Nor is it uplifting (except tenuously at the end).
It’s slow, perceptive and often heart-wrenchingly sad as it dissects grief and longing. It’s more about bereavement than anything, although the authentic teen banter often provides comic relief.
Morgan and Eli, two Indigenous children forced away from their families and communities, are brought together in a foster home in Winnipeg, Manitoba. They each feel disconnected, from their culture and each other, and struggle to fit in at school and at their new home -- until they find a secret place, walled off in an unfinished attic bedroom. A portal opens to another reality, Askí, bringing them onto frozen, barren grounds, where they meet Ochek (Fisher). The only hunter supporting his starving community, Misewa, Ochek welcomes the human children, teaching them traditional ways to survive. But as the need for food becomes desperate, they embark on a dangerous mission. Accompanied by Arik, a sassy Squirrel they catch stealing from the trapline, they try to save Misewa before the icy grip of winter freezes everything -- including them.
Dills and his mom have returned to Hamilton, her hometown, hoping to leave the horrors of Windsor behind. But it’s impossible to escape the echoes of tragedy, and trouble always follows trouble.
When Dills hurts a new classmate, it comes out in court that he was in the Windsor High library when the shooter came in. But he won’t talk about what he saw, what he still sees whenever he closes his eyes. He can’t. He definitely can’t tell anyone that the Windsor Shooter is his stepfather, Jesse, that Jesse can speak into his mind from hundreds of kilometres away, and that Dills still loves him even though he committed an unspeakable crime.
Fourteen-year-old Dylan is sent to live with his estranged grandfather, Angus. Basically strangers, the two avoid each other as best they can. One day Dylan discovers a young orca stranded high up on the rocky beach. Dylan runs to tell his grandfather. There’s nothing that can be done, says Angus. The sun is coming up, and soon the orca will die of exposure. But Dylan knows he has to try to save the whale. He collects towels to cover the delicate skin of the orca and begins transporting buckets of water from the ocean below to keep it hydrated. It’s grueling work, and it will be hours before the tide comes back in and the water is high enough for the orca to swim free. Angus is moved by his grandson’s determination and helps as best he can. They both desperately hope that soon the orca will be able to join its family, who have been calling out to it just offshore. On the Rocks is an inspiring story about the ups and downs of family.
From writer and musician Rae Spoon: a rollicking yet introspective young adult adventure about screwing up, finding yourself, and forging a new life on your own.
At age nineteen in the year 2000, the queer narrator of Green Glass Ghosts steps off a bus on Granville Street in downtown Vancouver, a city where the faceless condo towers of the wealthy loom over the streets to of the east side where folks are just trying to get by, against the deceptively beautiful backdrop of snow-capped mountains and sparkling ocean.
Armed with only their guitar and their voice, our hopeful hero arrives on the West Coast at the beginning of the new millennium and on the cusp of adulthood, fleeing a traumatic childhood in an unsafe family plagued by religious extremism, mental health crises, and abuse in a conservative city not known for accepting difference. They’re eager to build a better life among like-minded folks, and before they know it, they’ve got a job, an apartment, openly non-binary friends, and a new queer love, dancing, busking, and making out in bars, parks, art spaces, and apartments. But their search for belonging and stability is disrupted by excessive drinking, jealousy, and painful memories of the past, distracting the protagonist from their ultimate goal of playing live music and spurring them to an emotional crisis. If they can’t learn to care for themselves, how will they ever find true connection and community?
The haunting illustrations by Gem Hall conjure the moody, misty urban landscape and represent a deep collaboration with the author based on their shared experience of seeking safety, authenticity, and acceptance on the West Coast. Green Glass Ghosts is an evocation of that delicate, aching moment between youth and adulthood when we are trying, and often failing, to become the person we dream ourselves to be.
Based on a true story, a stray dog befriends an orphan boy in a refugee camp on a Greek island. The fishermen on Lesvos call her Kanella because of her cinnamon color. She’s a scrawny, nervous stray — easily intimidated by the harbor cats and the other dogs that compete for handouts on the pier.
One spring day a dinghy filled with weary, desperate strangers comes to shore. Other boats follow, laden with refugees who are homeless and hungry. Kanella knows what that is like, and she follows them as they are taken to a makeshift refugee camp. There she comes to trust a bearded man, an aid worker, and gradually settles into a contented routine. Kanella grows healthy and confident. She has a job now — to keep watch over the people in her camp. One day, a little boy arrives and does not leave like the others. He seems to have no family and, like Kanella, he is taken in by the workers. He sleeps on a cot in the food hut, and Kanella keeps him warm and calm. When two new adults come to the camp. Kanella is ready to defend the boy from them, until she is pulled away by the bearded man. They are the boy’s parents, and now he must go with them.
Eventually, the camp is dismantled, and Kanella finds herself homeless again. Until one night, huddled in the cold, she awakens to see two bright lights shining in her eyes — the headlights of a car. The bearded man has come back for her, and soon Kanella is on a journey, too, to a new home of her own.
Twelve-year-old Fishel (Fish) Rosner doesn’t like regular “boy” things. He hates sports and would prefer to read or do crafts instead of climbing trees or riding dirt bikes with his friends. He also loves to dance. But all his interests are considered “girly.” Fish doesn’t get why that’s a bad thing. He’s just interested in different things than other boys. When he asks his Bubby to teach him to knit, she tells him to go play outside. When he begs his mom to take him to Zumba, she enrolls him in water polo instead. Why does everyone else get to decide what Fish should or shouldn’t do?